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2014, Instrumentum
Revue de Comminges et des Pyrénées Centrales, CXXXV, 2, 2019, pp. 359-366 (ISSN: 0035-1059).
Retables aranais des siècles du gothiqueThis article concerns two new hooks and a sword belt plate, from the second half of the 16th or early 17th century, forming a set. It is the continuation of two notices (available on this site) devoted to these elements that seem to be concentrated in the west of Hainaut (B). For the first time, the mysterious inscription bIS: QVIS may have been linked to the motto of the Scottish-born family Spens d'Estignols. This notice was published, along with another presentation, in the Chronique de l'Archéologie wallonne, 28, 2020, p. 99-101
This notice is the fourth devoted to hooks and sword belt plates, from the second half of the sixteenth century or the first half of the seventeenth, with particular iconography : a heart appears attached to two "pillars" that frame it. Occasionally, an atypical object is now inserted in this series. To be published in the Bulletin de la Société tournaisienne de Géologie, Préhistoire et Archéologie in 2024.
Hiatus, lacunes et absences : identifier et interpréter les vides archéologiques, Actes du 29e Congrès préhistorique de France, 31 mai-4 juin 2021, Toulouse,
L’étude des fibres textiles utilisées en Préhistoire à partir de l’analyse tracéologique des fûts et des chas d’aiguilles : constitution d’un référentiel expérimental2023 •
Unlike some easily observable products, such as lithic tools, ceramics, small carved objects, the intrinsically perishable nature of textile productions renders them identifiable only through indirect evidence. To understand these phantom products, we need to work on the tools involved in the technical process and as an intrinsic part of their “chaînes opératoires”. Textile productions, especially prehistoric, are a good example, as the materials used for these products are inevitably lost except in quite exceptional conditions. Based on some recent work on different tools such as spindles, loom weights, weaving blades, a functional approach leads to a better understanding of textile production. In this paper, we focus on a specific tool: the eyed needle. Preliminary observations on needles from the Neolithic site of Sette Fonti (Prata d’Ansidonia Abruzzo, Italy) have shown that use-wear (polish, striations) have been preserved, particularly in the eye of the needles. A pilot experiment was successfully carried out to test the formation of use-wear resulting from the different types of thread employed (sinew, flax, bast). A second phase of experimentation was tested to see if diagnostical criteria could be defined from observation of the tips and shafts of needles, according to the materials that were worked. This study thus throws new light on the prehistoric use of plant and animal raw materials. The aim of this paper is to present the preliminary results of an experimental reference.
The aim of this ongoing research project is to resolve the question of attribution of a series of barbarian imitation tremisses identified by the officinal mark •T• (typically appearing on the reverse inscription). This series has traditionally been attributed to the Merovingian king Thierry Ier of Metz from 511-534AD, although this claim has not been fully substantiated. In light of new numismatic and archaeological evidence, there is another likely contender for the mark: Theoderic the Great, king of Ostrogothic Italy from 493AD, and king of the Visigoths from 511AD, until his death in 526AD. This revised attribution contributes to addressing broader questions of authority and minting practices in the barbarian West, and understanding the relationship with the Byzantine Empire as pars imperii. And, with the coins themselves being Narbonne-issued Visigothic coins with the mint-mark of Theoderic the Great, it goes some way to understanding minting policy during his reign of 511-526AD: do the coins serve a dual purpose of reinforcing Imperial authority and Theoderic’s constitutional position in the West?
Alesia type brooches, but also early and late Aucissa as well as Bagendon types, all share common features which makes them a whole family or group, illustrating, in technique as well as in their decoration, some links probably originating in some common workshops. beyond typology, this article explore the nature of such features and tries to interprete them within the general picture of brooch production in the late Ist BC and early ist c. AD.
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